The Actorsingers

Presenting Community Theatre since 1955

NHTA Pre Party  

Nominee Reception & Mingle at the 12th Annual NH Theatre Awards

Please join us for the Nominee Reception & Mingle at the 12th Annual NH Theatre Awards


The doors of beautiful Stockbridge Lobby will open at 5:30pm for a Nominee Reception & Mingle!

As you enter the Stockbridge lobby, ushers will guide you to Pinkerton Academy's blackbox theatre where refreshments and light fare will be provided. As you make your way to the blackbox theatre remember the event by having your picture taken in front of the NH Theatre Awards backdrop! A photo station will be open for attendees to have their photos taken a no charge!

The photos will be made available on the website.

Inside the beautiful Stockbridge Lobby, The Pinkerton Academy Scholastic Art Department has a created a wonderful art display for viewing as you mingle with fellow artists, friends and family.  Soda, water and concessions will be on hand for you to purchase.


This event replaces what was previously known as the VIP Party. One need not be a nominee to attend.

Date: Saturday, January 25th, 2014
Time: 5:30pm - 6:30pm
Location: The Stockbridge Theatre               
                   5 Pinkerton Street
                   Derry, NH 03038

Looking forward to seeing you then!
Gina Carballo 
Vice President, NH Theatre Awards


Posted by Evelynn Decker Wednesday, January 22, 2014 11:11:00 PM

Actorsingers Seeking Directors for Fall Show 2014 

Deadline Friday February 14th.

The award winning Actorsingers of Nashua, NH is seeking a Director, a Music Director, and a Choreographer for our fall show 2014 to be staged Nov. 7 – 9, 2014 at Edmund Keefe Auditorium in Nashua.  We are happy to announce the fall show will be The New Mel Brooks Musical Young Frankenstein!

Interviews will take place in the evening on Wednesday, Feb 19th with the first interview slot at 7:30 PM. You may interview individually or as team.

 To set up an interview time please send resumes to Evelynn Decker at  by the deadline Friday February 14th.

Posted by Evelynn Decker Wednesday, January 22, 2014 10:20:00 PM Categories: Main Stage Seeking Directors


Feb 8, 9, 10 2014



 The Actorsingers of Nashua will hold cast auditions for their upcoming production of Meredith Wilson’s THE MUSIC MAN.

An audition for children’s parts will be held on Saturday, February 8th from 2-4:00.  Adult auditions (ages 16 and up) will be held on Sunday February 9th from 6-9:00PM and again on Monday, February 10th from 7-9:00PM.  Call backs if needed will be held on Wednesday, February 12th.  All auditioners will be asked to prepare 16 bars of any song and will be asked to learn a short dance audition.  Those auditioning for named roles will also be asked to do a reading from the show.

The auditions will be held at Actorsingers Hall, 219 Lake Street in Nashua.

The show will be held on May 9, 10 and 11 at the Keefe Auditorium at the Elm Street Middle School in Nashua.

 For more information on the auditions or the show, please visit

Posted by Evelynn Decker Saturday, January 18, 2014 9:20:00 PM Categories: Auditions Main Stage

In the Spotlight Cheryl Stocks 

Producer for Les Misérables

Cheryl Stocks

Cheryl Stocks, the Producer for Les Misérables, grew up near Chicago, Illinois. Cheryl has done shows with Actorsingers for over 10 years, and has also worked with several other local groups.

 A show this massive needs a producer firmly committed well in advance of auditions.  She states “I knew I had the time available to devote to it and the Actorsingers membership to back me up on all the aspects of producing about which I am clueless.  I also knew I ‘had to’ be a part of this production (the gravitational force of Les Mis is incredibly strong), and auditioning wouldn't guarantee being a part of it, but producing would put me right in the midst of it.”

Actorsingers auditioned 144 people for Les Misérables and ended up casting an extremely talented 44.  Cheryl goes on to say “I've lost track of how many pounds of Twizzlers we've gone through - at least 30.  We are thrilled to be performing  for more patrons than every Actorsingers show since spring of 2006, tracking closest to our 2008 production of Beauty and the Beast (what is it about these French shows??).”

What does Cheryl experience from theatre that is different from anything else she does?  “Interactions with theater people - creative, emotional, needy, exasperating, dedicated, funny, and always ready for a hug,  creating something amazing out of nothing, in a ridiculously short time, with an inadequate budget and an extraordinary team, the thrill of the opening night performance and the reaction of that first audience.  Oh, and on rare occasions, I get to fly!”  

Cheryl found the most challenging part of producing is there is never enough time and of course seven months of sleep deprivation!

When asked about her earliest theatre memory she replies, “Theater is ephemeral.  Once I walk out the door I forget it all.”

Cheryl used to be a software developer but thinks she’s retired now.  She also sings.

Posted by Evelynn Decker Friday, November 15, 2013 3:25:00 PM Categories: In the Spotlight Main Stage

In the Spotlight Dennis Schneider 

Technical Director for Les Misérables

Dennis Schneider plays several roles in the Les Misérables production including Technical Director and co-production designer, co-set designer, co-lighting designer, co-video designer, stage weapons, master carpenter and truck driver. He has been part of Actorsingers Tech since 1983 – this is his 53rd show!

Dennis teamed up with Will (our director) on the Actorsingers production of Chicago and thoroughly enjoyed that collaboration. They joined forces once again and worked on the Les Misérables production concept for most of the summer.

 “Les Misérables is a very difficult work to bring to life. It requires an amazing cast and the production design has to enable it to be staged so that the story is told well. For me, the biggest challenge was organizing the design teams to bring the needed combination of art, craft, and engineering required to take our very original and very aggressive production concept through the detailed design process -- and make it all work so the audience never knows how complex it is! This production is the first time we have divided up the set design and build into several teams – each one working independently. Making all those elements match up – to the inch! – was no small challenge. “

“The first set drawing was created on August 9 – and the full design team updated and revised the drawings nearly 40 times. All of our specialties – Stage Management, Lighting, Sound, Sets, Costumes, Makeup, Video, Special Effects/rigging, and atmospherics – have to come together! The full tech team’s largest challenge is making all of these moving parts and technology work seamlessly to combine with the director’s staging, and our terrific actors and musicians so each audience experiences the best we can all deliver.” 

Another interesting aspect of the show is “It cannot stop!  The music drives everything– as it should.”

This production’s very challenging design required the Les Misérables technical team to install:

  • over 34 wireless microphones
  • a concert-class sound mixing system,
  • a professional moving light control console,
  • 100 stage lights, 4 intelligent lights, a 10,000 lumen video projector,
  • 1 600 lb bridge, and 1 155-lb “surprise”
  • The video system alone required nearly 1,000 feet of cabling.
  • Nearly a mile of cable was installed for the lighting design.
  • The set is 22’ tall – and lot of it moves!”

Now that’s a lot of technology!

Dennis is proudest of his work on Actorsingers’ Ragtime (sets, lights, flying), Cats (sets, lights, flying), Jesus Christ Superstar (lights), A Chorus Line (Actorsingers and professionally, the Palace Theater.) He also has been TD and Stage Manager for the NH Theatre Awards I and II, lights for Stagecoach Productions Parade and Wit, and Manchester Community Theatre Players’ production of Fiddler on the Room.  He is a 6-time recipient of NH Theater Awards (lighting, sets, and technical excellence) in both professional and community categories. He also chairs Nashua’s Auditorium Commission – which oversees the Keefe Auditorium.

What does Dennis get from theater that he doesn’t get from anything else he does?  “The joy that most performers get from audiences – and time with my wife!  Kerry’s an actress and since we met (in college) she was on stage and I was “backstage” (I did her lighting lab work since she’s afraid of heights).”

Dennis grew up in Forest Hills (a neighborhood in Queens/New York City) and he remembers his family saw “everything” on Broadway for decades.  His earliest theatre memory was seeing the original production of Peter Pan on Broadway. “I was nearly 4.   I was hooked. (pun intended)”

When Dennis is not volunteering on shows he works in the healthcare technology industry with a focus on infused medication safety and hospital pharmacy operations.  He enjoys making patients safer! Outside work, Dennis and his wife Kerry try to spend as much time with their children and grandchildren as they can.  He is also a pilot.

Posted by Evelynn Decker Friday, November 15, 2013 9:14:00 AM Categories: In the Spotlight Main Stage

In the Spotlight Gretchen Gray  

Co-Stage Manager and Assistant Properties Mistress for Les Misérables

Gretchen Gray

Gretchen Gray, who is Co-Stage Manager and Assistant Properties Mistress, also refers to herself as crazy lady in this production. She was born in New Jersey but is living Southern NH now.

Why did Gretchen want to work on Les Misérables? “It is one of my favorites and a wonderful thing to be a part of both with the production team and as an Actorsinger. I was part of the play reading committee that proposed it for this season.”

Why does Gretchen work behind the scenes in theatre? “Oh gosh, a wonderful creative outlet and the joy of working with fun people who are from many different walks of life but share a passion for creating a really good show.”

Gretchen as worked on oodles of other shows both with Actorinsgers and with other groups, but never on stage, only backstage.

The most challenging part of working on this show for Gretchen was learning how to be a stage manager!

This is the fourth time that Gretchen has worked on a Les Misérables production.  She states “I have a collection of props specifically for Les Mis and it was actually pretty easy to draw from them for this production, but it is always great to reimagine a scene and make it different from the last time working on it.  Every production is different, same characters, but it can be presented differently.”

Gretchen’s earliest theatre memory “was going to see Hair in San Francisco with my mother in 1970.  My father was so annoyed that she took me and I did not understand why until I was an adult and read the lyrics.  It all went completely over my head at the time.”

When Gretchen is not working on Theatre productions she enjoys hanging out with the family at the lake!

Gretchen is thrilled to be working with an amazing group of talented people that we have been able to pull together both onstage and backstage. She says “This group is top notch! It has been a great ride!  Enjoy the show!”


Posted by Evelynn Decker Thursday, November 14, 2013 5:03:00 PM Categories: In the Spotlight Main Stage

In the Spotlight Catherine Andruskevich (CZA) 

Hair Designer for Les Misérables


Catherine Andruskevich, a/k/a “CZA,” from Merrimack, New Hampshire, is the hair/wig stylist for Les Misérables.

Working on hair for this show she had to find the right look for each character.  Her favorites are Mme. Thenardier, Little Eponine and Fantine’s quick change.

 As a long-time life member of Actorsingers, Catherine states “it is very exciting to be involved with the “first” adult community theatre to produce this musical masterpiece.  I volunteered to do the hair/wig design from the very get-go because I love the challenge of period pieces and with the upper class, lower class, the poor, etc., there is certainly a variety of “looks” to achieve.  I also auditioned and, although not cast, I’m happy to have “lost” to some of the fantastic voices that “bested” me. Theatre is my life’s blood – if I could work professionally and earn enough to scrape by, I’d drop my 9-to-5-plus 4 hours of commuting in a heartbeat!! “

Catherine feels “The production qualities of Les Misérables are far and away above what Actorsingers has ever achieved before and I am proud to be a part of it as both a Life member and a member of the Board who got us started on this journey.”

Catherine has been an active member of Actorsingers since 1970 and have performed and worked in every imaginable capacity.  She has also worked with the Nashua Theatre Guild, New Thalian Players in Manchester, MADCO in Derry, and Merrimack Theatre Company.  She also taught theatre for five years at Mount St. Mary and Bishop Guertin High Schools before they merged into BG. 

Catherine’s earliest “theatre” memory was in the first grade when she was called down to the principal’s office.  “This was a Catholic school in the 1950s even my teacher was frightened for me.  I got there and having met my mother the night before at the parent/teacher conferences, where my mother told her my special talent was singing, Sr. Lorena asked me to sing for her!  Could I come up with any nice hymn from church or something?  No, all I could think of was “Swanee” from “The Jolson Story,” right down to the outstretched arms and bended knee at the end.  The movie had been playing all week on TV!  For my efforts, I received a holy card and a little statue of the Blessed Virgin Mary.”

Catherine is a legal secretary in Boston, “which is not what one would call fun, but it pays the bills.  For fun, I see as much theatre as time and my wallet permit.”  Catherine also travels to NYC to see her son, Carl Andress, who is a playwright/director Off Broadway.  His most recent accomplishment was directing a musical production of “Bunnicula, the Vampire Rabbit” based on the children’s books by James and Deborah Howe, which was named the Best Family Show in 2013 by the New York Times. 


Posted by Evelynn Decker Thursday, November 14, 2013 8:31:00 AM Categories: In the Spotlight Main Stage

In the Spotlight Raelene Liljeberg 

Costume Designer for Les Misérables

Raelene LiljebergRaelene Liljeberg, the very talented Costume Designer for Les Misérables, is a Nashua, New Hampshire native and “proud of it!” Raelene loves working on “period costume-based” productions so was thrilled to lead the costume effort for this production.

Although Raelene has appeared on stage in the past she gets the greatest satisfaction from the audience’s reaction when the curtain opens and they see the cast for the first time on stage in costumes she has designed.   Her most rewarding effort was costuming Mame, she recalls “when the curtain opened and the audience saw the men in red hunting jackets, white pants, boots and top hats and the ladies in red & white themed gowns they applauded – that made my day!!”

Raelene has been involved with the Actorsingers for 46 years in one capacity or another, on every main stage production, she says “I was primarily costuming with my dear friend and mentor, the late Penny Tamulonis, and of course with my late husband John who directed many productions in Actorsingers and with the high school.”

When asked about the most challenging aspect of costuming Les Misérables “the number of cast members was not an issue, but the multiple characters they assumed during any one particular scene and with very little off-stage time to change meant recreating with a minimum of down time.”

Raelene needs to do quite a bit of research before she starts on costumes “once I know I am costuming a show I try to start as soon as possible, I usually have an idea already in place for the costumes then I proceed to see what inventory is available from our well-stocked costume room” She goes on to say “time spent is not merely on rehearsal days but 7 days a week, right up to opening night!  Sewing is almost a lost art now, which is sad, and I hope to keep it alive with Actorsingers as long as I am physically able.”

Raelene’s earliest theatre memory was with her mother she “would take me to New York once a year and we would always go to Radio City Music Hall.  My first Actorsingers’ production was Desert Song and knew then I wanted to be involved!”

When Raelene is not costuming she works full time as an office administrator for a local real estate firm but she is never far away from costuming as she also maintains the costume room for Actorsingers as well as manages all rentals to other groups and schools throughout the year.

Posted by Evelynn Decker Wednesday, November 13, 2013 12:32:00 PM Categories: In the Spotlight Main Stage

In the Spotlight - Don Smith-Weiss 

Barricade Designer for Les Misérables

Don Smith-Weiss

Don Smith-Weiss from Nashua is the barricade designer for Les Misérables.  He states he “wanted the chance to be a part of something this big, this moving---and a vision of the barricade opening up like a flower as Will (the Director) presented his set design at an early production meeting” really compelled him to be work on this show.

Don  feels the best part of working on a show is the collaboration, “as much as I enjoy being in complete control of a project, I love bouncing ideas off others and making something better and richer through the extra input. And I always say that we in theater get to create magic, which most people never get a chance to do.”

Don has been in a couple of Actorsingers shows and designed sets for two. He has also acted and/or designed sets for The Nauss Hall Players in Nashua, the Palace Theater, The Majestic Theater and other groups. Don thinks back to 26 years ago, “I agreed to design the sets for Fiddler for the Portland Players in Maine shortly after we'd moved back to the Nashua area. We had no email then. I mailed a big packet of drawings and then never heard anything, so I didn't know if they'd even used my designs. But when we went to the show a couple of months later, there was my whole design onstage, right down to the colors of my illustrations!”

Don finds the most challenging part of bringing his craft to life for this show was time and people. “There are a lot more people willing to act and sing than those who build, and assembling the components of a set is always a challenge because there are so few of us, and real life and work intrude on our time.” 

The hard work has paid off as “the barricade has to look cool and impenetrable, yet each half has to fit in a space 4' x 8' x 6' until it opens up. Storing a 23' wide barricade in 16' was a challenge.”  “The first time the "students" climbed to the top, I realized I had to add upstage panels, or they'd be out there in the open shooting at the soldiers! “ Don goes on to say “the cast may not realize this, but it's easier and more fun to work on the set when the sound of rehearsal filters down through the floor to the scene shop. We do the sets for them, and it's a real-time reminder of what we're working towards.”  “I love how so many people have worked separately on their own parts of the production without knowing how it all fits together. Parts of the set have built been by different teams--even in separate workshops--with the builders never knowing how the pieces go together till move-in weekend. Same with the other visual elements---video, props and set pieces---none of them put together until tech week.”

Don’s earliest theatre memory was being in a production of Chicken Little in the second grade. “I remember thinking that I could've done a much better job on Chicken Little's costume.”

While Don isn’t busy acting/building and designing sets, he writes songs, plays guitar and piano, and cooks. Right now he’s renovating his 1950 house to look like it was built in 1750…after which he'll return full time to designing kitchens and drawing his online comic strip (which is currently on hiatus) at

Posted by Evelynn Decker Tuesday, November 12, 2013 6:12:00 PM Categories: In the Spotlight Main Stage

In the Spotlight - Leo Choquette 

Properties Lead for Les Misérables

Leo Choquette, from Merrimack, NH, is the Properties lead for Les Misérables. Leo states “this is the musical of all musicals - when I think of musicals, Les Misérables comes to my mind first!”  Leo goes on to say “this is a period piece, and I’m in my element doing period pieces. I like to make the audience feel like they’re in that particular time period.” “I am more detailed oriented with theater than at home.  I am a visual person so the overall look of the scenes with props needs to look good.”  “When the audience is watching, it will look very realistic - they will feel like they are in the French Revolution time period.  “Viva la France!

Leo found the most challenging part of bringing this show to life was staying in the French Revolution time period the props have to be period specific and realistic. This is a very props heavy show with many interesting pieces!

Leo finds working on props for shows is his stress relief from everyday life.  When he is the running props master, he just doesn’t put things on racks for the cast to get.  He realized after working stage crew that costume changes are quick and if he can hand something off or take something back,  it is one less thing the cast has to worry about. He says “if the cast has what they need for props when they need it, then I have done my job.  I take pride in what I do!”

Leo remembers seeing his first Theatre production on Broadway, Annie Get Your Gun with Reba Macintyre.  He was lucky to attend with his grandmother, mother and sister-in-law.

Leo, who has a degree in interior design, likes to shop at consignment stores, thrift shops, Goodwill, Salvation Army and antique houses looking for props.

Posted by Evelynn Decker Monday, November 11, 2013 12:06:00 PM Categories: In the Spotlight Main Stage
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