The Orchestra Pit
Spring 1999 — Your orchestra pit reporter: Deb Walz
Now that I'm finally experiencing the after-show letdown, I'll reminisce a
bit about the view from the Phantom pit:
In early February, I got the call requesting my presence in the pit
(Yippee!!!) and shortly thereafter picked up the music. I ordered the CD
and began listening to the music. At first, I was really worried. The
trumpet part didn't sound too difficult -- no big, brassy dance numbers --
though it had its own unique challenges. But the vocal leads -- these parts
sound really challenging -- can we really find that kind of talent locally??
All during February, March and April, I noticed that my mood was lighter. I
*love* being involved in a musical. There's just something magical about
it. Even though I had little to no contact with the cast, crew or other
orchestra members, I was in my own little heaven listening to the music,
learning the lyrics, playing along with the recording, etc.
In April, we had our first orchestra rehearsal -- a marathon that went from 2
pm to 5:30 for the orchestra, a 30 minute dinner break, then the 6-10 pm
rehearsal with the combined orchestra and cast. At some point during the
evening, I had to retrieve my lower jaw from the floor -- I was absolutely
amazed at the quality of the voices in the cast. Pat Lawrence ("Christine")
was superb -- she made everything sound effortless. Joan Storey
("Carlotta") was one of my favorites -- not only did she play a wonderfully
spiteful diva (loved all those rolled Rs), but I sensed that she was
enjoying every minute immensely. And never before have I experienced a cast
that was so warmly supportive and appreciative of the pit orchestra: Tom
Ryder ("Erik"), Jay Lawrence ("Count de Chandon") and Chuck Emmons
("Jean-Claude") merit special recognition for that.
Of the, oh 18 or so musicals that I've performed, this one was the best:
the best voices, the acting talent, the effects, the friendliness of the
cast. It was a wonderful, wonderful experience that I hope to repeat.
Though I think I shall soon run out of superlatives if I'm associated with
the group for too much longer.
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