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The Actorsingers Great live musical theater in Nashua, New Hampshire since 1955
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Oklahoma (1973)[Oklahoma 1990]
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[Past Shows] [Prev] [Next]  | Elm Street Auditorium May 11-13, 1973
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The CompanyIn Order of Appearance
Aunt Eller Fran Peterson
Curly Frank Harvey
Laurey Michelle Cote
Ike Skidmore Bob Frey
Will Parker Frank Graham
Jud Fry Warren Liberty
Ado Annie Carnes Diane Lavoie
Ali Hakim Al Bedard
Gertie Cummings Carol Croatti
Andrew Carnes Timothy P. Myette
Slim Myron Kandra
Chorus
Carol Goss,
Linda Annis,
Gary Griggs,
Myron Kandra,
Fran Bosowski,
Lucien Gagnon,
Janice Rockwell,
Diane LaFrance,
Sylvia Dobrowolski,
Bob Frey,
Ann Murray,
Jim Murphy,
Cheryl Powers,
Dick Fontaine,
Charles Ivanow,
Carlene Walters,
Gisele LaFrance,
Collette Oldham,
Jim Frost,
George Szok,
Dennis Carta,
Eliese Atkins,
Royce Johnson,
Lorraine Graham,
Lenny LeClerc,
Francis Brunelle,
Cathy Andruskevich
Dancers
Patricia Allard,
Connie Hayward,
Steve Ducharme,
Royce Johnson,
Marilyn Araldi,
Patricia Mayo,
Dick Fontaine,
Myron Kandra,
Susan Dumont,
Missy Roberts,
Jim Frost,
James Murphy,
Patricia Florio,
Linnea Strickland,
Gary Griggs,
George Szok
Orchestra
Flute and Piccolo Jill Gidge
Clarinet Andrew Ventura, Joanne Milat
Oboe and English Horn Brian Ventura
Bassoon David Hebert
Trumpet Cheryl Allen, Edward Morassi
Horn Ashley Howard, Alan Ventura
Trombone Patricia Charron
Violin Audrey Sutherland
Cello Rowena Carr
Percussion Dennis Sullivan
| Production Staff
Production Co-ordinator Irene D. Batch, assisted by Eileen Duhamel
Production Secretary Claire Anderson
Dramatic Director John Liljeberg, assisted by Joan Frey
Music Director Donna Conway, assisted by Kay Goranson
Choreographer Laura Winslow
Orchestral Co-ordinator Jill Gidge
Stage Manager Harry Strickland
Assistant Stage Manager Warren Tomasian
Stage Crew
Millie Wright,
Irene D. Batch,
Daniel Pelletier
Lighting Harry Strickland
Sound George King
Set Design Kay Kandra
Set Construction
Kay and Myron Kandra,
Harry Strickland,
Warren Tomasian
Costumes
Dorothy Fontaine, assisted by
Marjorie Thompson,
Claire Anderson,
Terry Turner,
Penny Tamulonis,
Raelene Harris,
Myra Florio,
Irene D. Batch,
Pat Archambeault,
Lorraine Laroche,
Diane Lavoie,
May Kingman,
Arlene Annis
Make-up Claire Anderson, assisted by Pearl Ware
Program
Daniel Pelletier, assisted by
Lorraine Graham,
Missy Clemons,
Claire Anderson,
Raelene Harris
Program Ads Shirley Santerre, assisted by Shirley Liberty
Program Photos, Collage Joel P. Saren
House Chairmen
Richard and Carol Poole, assisted by
Al Miller,
Connie Patti,
Nancy Laudien,
Ann Borski,
Ginny Mammone,
Betty Callahan,
Elaine Bosowski,
Ernie Peterson,
Dan and Dot Marcek,
Anne S. Harvey,
Dick LaCasse,
Joan Frey,
Irene Archambeault,
Charles Kowalski,
Shirley Santerre
Concessions
Betty Badeau, assisted by
Kay and Ed Goranson,
Bob Callahan
Tickets
Pauline Gill and Judy Bausha, assisted by
Angela Tomasian,
Claire Anderson,
Eileen Duhamel
Publicity Joel P. Saren
Properties
Kathy Griggs, assisted by
Joanne Saren,
Gary Griggs,
Linda Annis,
Kathy Cullen
Auditions
Irene D. Batch,
Grace Bolen,
John Liljeberg,
Ferma Perulo,
Al Miller,
Donna Conway,
Laura Winslow
Patrons Richard Conner
Membership Millie Wright
Rehearsal Pianist David A. Gidge
Cast Party
Bud and Arlene Annis,
Carolyn Marineau
Photographer Dan Marcek
Bank Window Display Linda Tamulonis, Jim Johanannsen
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The Actorsingers
Member of the Arts and Science Center
Welcome you to
OKLAHOMA
The Play
Set in the Midwestern Indian country, at the turn of the century,
the musical presents two sets of lovers. It's a yarn that features
a villainous character, Jud, (which opened musical comedy to a new
aspect), who comes between a cowhand known as Curly and a pretty
girl called Laurey. A love triangle between Ado Annie, an Oriental
pedlar, and a cowhand named Will provides sticky humorous situations.
With an unusual auction, enchanting ballet, and a sad murder, there
is, in all the romance, tensions, laughter and drama, the melodic
tunes which create OKLAHOMA!
Rodgers and Hammerstein
Oklahoma was a direct result of Rodgers and Hammerstein becoming a
team. Rodgers had been approached by The Theatre Guild of New York,
which was suffering a succession of theatrical failures that was bringing
their famous producing organization to death, about creating a musical
based on Novelist Lynn Riggs' "Green Grow the Lilacs," but Lorenz Hart,
Rodgers' partner at the time, felt sure that this particular novel
didn't have the makings of a musical. The Theatre Guild's next play
simply had to be a success. Rodgers new partner was Hammerstein.
Hammerstein had secretly wanted to convert "Green Grow the Lilacs"
into a musical. He had approached Jerome Kern, who turned his request down with
the reason that the novel didn't have the makings of a musical. Then
Hammerstein found out that The Theatre Guild was negotiating with Rodgers
and Hart; Rodgers remembered Hammerstein and Hammerstein remembered
Rodgers at the same time. Rodgers paid Hammerstein a visit to his farm in
Pennsylvania in 1941, and a "marriage" was performed -- a marriage of words
and music.
TIME: Just After The Turn Of The Century PLACE: Indian Territory (Now Oklahoma)
Act OneScene I The Front Of Laurey's Farmhouse Oh, What A Beautiful Mornin' Curly, Laurey, Aunt Eller Kansas City Will, Aunt Eller and the Boys I Cain't Say No Ado Annie Many A New Day Laurey and the Girls It's A Scandal! It's An Outrage! Curly and Laurey Scene II The Smoke House Pore Jud Curly and Jud Lonely Room Jud Scene III A Grove on Laurey's Farm Out of My Dreams Laurey and the Girls |
Act TwoScene I The Skidmore Ranch The Farmer And The Cowman Carnes, Aunt Eller, Curly, Will, Ado Annie, Slim and Ensemble All Er Nuthin' Ado Annie, Will and Two Dancing Girls Scene II Skidmore's Kitchen Porch People Will Say We're In Love (reprise) Curly and Laurey Scene III The Back of Laurey's Farmhouse Oklahoma Curly, Aunt Eller, Ike, Fred and Ensemble Oh, What A Beautiful Mornin' (reprise) Laurey, Curly and Ensemble Finale Entire Company |
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