<?xml-stylesheet type="text/xsl" href="show.xsl" ?>
<show id="s1976c">

<performing_organization> Actorsingers </performing_organization>
<title> Man of LaMancha </title>
<year> 1976 </year>
<dates> November 19-21 </dates>
<times> </times>
<price> </price>
<venue id="Elm"> Elm Street Jr. High School Auditorium </venue>

<related_shows>
  <prior id="s1976b" />
  <next  id="s1977a" />
  <same  id="s2004c" name="LaMancha 2004" />
</related_shows>

<art>
  <program_cover src="pix/s1976cc.gif" />
</art>

<credits>
</credits>

<cast title="Cast" sub="In Order of Appearance">
  <R> <ch name="Captain of the Inquisition" /> <w> Norm Chapdelaine </w> </R>
  <R> <ch name="Sancho Panza/Manservant" /> <w> Sally Trombley </w> </R>
  <R> <ch name="Miguel De Cervantes/Don Quixote/Alsonso Quijana" /> <w> Francis X. Gardner </w> </R>
  <R> <ch name="Governor/Innkeeper" /> <w> Marc Bouchard </w> </R>
  <R> <ch name="Duke/Dr. Sanson Carrasco/Knight of the Mirrors" /> <w> Bill Nelson </w> </R>
  <R> <ch name="Horses" /> <w> Bill Williamson <w> and </w> Roger Mailloux </w> </R>
  <R> <ch name="Anselmo" /> <w> Stephen Robinson </w> </R>
  <R> <ch name="Pedro" /> <w> Carlos Vargas </w> </R>
  <R> <ch name="Jose" /> <w> Peter Chaput </w> </R>
  <R> <ch name="Tenorio" /> <w> David Wood </w> </R>
  <R> <ch name="Paco" /> <w> Eric Heath </w> </R>
  <R> <ch name="Juan" /> <w> Bill Schultz </w> </R>
  <R> <ch name="Guitar Player" /> <w> Yvette Grimes </w> </R>
  <R> <ch name="Aldonza/Dulcinea" /> <w> Kathy Milbouer </w> </R>
  <R> <ch name="Innkeeper's Wife" /> <w> Trixie Lenzi </w> </R>
  <R> <ch name="Fermina" /> <w> Maggie Clark </w> </R>
  <R> <ch name="Antonia" /> <w> Diane LaFrance </w> </R>
  <R> <ch name="Housekeeper" /> <w x="bosowski-f"> Francesca Bosowski </w> </R>
  <R> <ch name="Padre" /> <w> Tony Mallia </w> </R>
  <R> <ch name="Barber" /> <w> John Baird </w> </R>
  <R> <ch name="Moorish Girl" /> <w> Michele Cacace </w> </R>
  <R> <ch name="Gypsies, Guards, Knights" /> 
    <w> Ray Ellis </w>, 
    <w x="polan-s"> Stanley Polan </w>, 
    <w> Wayne Vanier </w>
  </R>
  <R> <ch name="Prisoners" /> 
    <w> Carol Deschenes </w>, 
    <w> Joyce Adams </w>
  </R>
</cast>

<orchestra title="Orchestra">
  <R i="Conductor"> <w x="redman-k"> Kathy Cooney </w> </R>
  <R i="Oboe"> <w> Mark Maryanski </w> </R>
  <R i="Clarinet"> <w> Mark Hanlon </w> </R>
  <R i="Trumpet"> <w> Dan O'Donnell </w> </R>
  <R i="Trombone"> <w> Don Wallin </w> </R>
  <R i="Percussion"> <w> Ken O'Toole </w> </R>
  <R i="Guitar"> <w> Yvette Grimes </w> </R>
  <R i="Flute"> <w> Dorothy Fitch </w> </R>
  <R i="Bassoon"> <w> Nancy Shaw </w> </R>
  <R i="Trumpet"> <w> Bob Robbins </w> </R>
  <R i="French Horn"> <w> Lucy Robbins </w> </R>
  <R i="Bass"> <w> Richard Wharton </w> </R>
  <R i="Timpani"> <w> Gary Smith </w> </R>
  <R i="Piano"> <w> Lori Heath </w> </R>
</orchestra>	

<acknowledgments title="Credits">
  <w> Nashua Federal Savings and Loan Association </w>
  <w> Nashua Telegraph </w>
  <w> Nuttings Music Store </w>
  <w> Saint Christopher's Parish </w>
  <w> Arts and Science Center </w>
  <w> Duhamel, Inc. </w>
</acknowledgments>

<staff title="Production Staff">
  <R j="Production Coordinator"> <w x="pelletier-d"> Dan Pelletier </w> </R>
  <R j="Dramatics Director"> <w x="liljeberg-j"> John T. Liljeberg </w> </R>
  <R j="Musical Director"> <w x="redman-k"> Kathy Cooney </w> </R>
  <R j="Accompanist"> <w> Lori Heath </w> </R>
  <R j="Technical Advisor"> <w x="duhamel-e"> Elaine Duhamel </w> </R>
  <R j="Production Secretary"> <w> Kathi Laflamme </w>
    <R j="Assistant"> <w> Nancy Ermala </w> </R>
  </R>
  <R j="Set Design"> <w> Kay Kandra </w> </R>
  <R j="Lighting Advisor"> <w x="tomasian-w"> Warren Tomasian </w> </R>
  <R j="Lighting Design"> <w> Bruce Tatro </w>
    <R j="Assistant"> <w> Carol Farland </w> </R>
  </R>
  <R j="Sound"> <w> Harold Goss </w>, <w> Michael McComas </w> </R>
  <R j="Afterglow"> <w x="marineau-c"> Carolyn Marineau </w> </R>
  <R j="Properties Chairman"> <w> Joyce Adams </w>
    <R j="Assistant"> <w> Carol Deschenes </w> </R>
  </R>
  <R j="Posters &amp; Program Cover"> <w> Joan Rearick </w> </R>
  <R j="Programs"> 
    <w> Joel Saren </w>, 
    <w> Linda Saren </w>, 
    <w> David Gidge </w>
    <R j="Collage and Pictures"> <w> Bill Martyn </w> </R>
  </R>
  <R j="Tickets"> 
    <w> Chris Brunelle </w>, 
    <w> Jewel Shanahan </w>,
    <w> Angela Tomasian </w>
  </R>
  <R j="Window Displays"> <w> Barbara Saffron </w>, <w> Wayne Vanier </w> </R>
  <R j="Vocal Coach"> <w> Dorothy Fontaine </w> </R>
  <R j="Patron Chairman"> <w x="tamulonis-a"> Albin Tamulonis </w> </R>
  <R j="Membership Chairman"> <w x="mcallister-l"> Linnea Strickland </w> </R>
  <R j="Auditions">
    <w> Susan Dumont </w>, Chairman;
    <w> Jill Gidge </w>,
    <w x="andruskevich-c"> Cathy Andruskevich </w>,
    <w> Robert Narkunas </w>,
    <w> Don Sisson </w>,
    <w x="liljeberg-j"> John T. Liljeberg </w>,
    <w x="redman-k"> Kathy Cooney </w>
  </R>
  <R j="House">
    <w> Lois Brunelle </w>, <w> Marion Crowley </w>, Co-Chairmen;
    <w> Diane Albright </w>,
    <w> Eliese Atkins </w>,
    <w> David Brunelle </w>,
    <w> Francine Brunelle </w>,
    <w> Betty Callahan </w>,
    <w> Laura Cartier </w>,
    <w> Linda Chojnowski </w>,
    <w> Carol Croatti </w>,
    <w> Fernand Croteau </w>,
    <w> Ellen Hatfield </w>,
    <w x="harvey-a"> Anne S. Harvey </w>,
    <w> Frank Harvey </w>,
    <w> Kathi Laflamme </w>,
    <w x="liljeberg-r"> Raelene Liljeberg </w>,
    <w> Margot Long </w>,
    <w> Anne Marie Marcella </w>,
    <w> Walter Marcella </w>,
    <w> Jennifer McKay </w>,
    <w> Sandy Morin </w>,
    <w> Janice Rockwell </w>,
    <w> Michael Shanahan </w>,
    <w> Natalie Vaskas </w>
  </R>
  <R j="Make-up">
    <w> Susan Dumont </w>, <w> Kathy Porter </w>, Co-Chairmen;
    <w> Patricia Irving </w>,
    <w> Terry Bernard </w>,
    <w> Sue O'Neill </w>,
    <w> Claire Anderson </w>,
    <w> Dody Slingerland </w>,
    <w> Pearl Ware </w>,
    <w> Giselle LaFrance </w>,
    <w> Millie Wright </w>,
    <w> Dawn Hardy </w>,
    <w> Deborah McCaffery </w>
  </R>
  <R j="Hair Design">
    <w> Ellen Johnston </w>, Chairman;
    <w> Dorothy Bureau </w>,
    <w> Judy Berry </w>
  </R>
  <R j="Costumes">
    <w x="tamulonis-p"> Penny Tamulonis </w>, Chairman;
    <w> Mary Vargas </w>,
    <w x="liljeberg-r"> Raelene Liljeberg </w>,
    <w> Ena Carraher </w>,
    <w> Inez Martinez </w>,
    <w> Carol Nadeau </w>,
    <w> Ky Stratoti </w>,
    <w> Terry Bernard </w>,
    <w> Cynthia Solow </w>,
    <w> Wayne Vanier </w>,
    <w> Laura Cartier </w>,
    <w> Ellen Hatfield </w>
  </R>
  <R j="Set Construction and Moving">
    <w> Maurice Jennings </w>, Chairman;
    <w> Henry Levesque </w>,
    <w> Michael McComas </w>,
    <w> Justin Crowley </w>
  </R>
  <R j="Set Painting and Moving">
    <w> Joyce Adams </w>, Chairman;
    <w> Carol Farland </w>,
    <w> Carol Deschenes </w>
  </R>

</staff>

<para>
  <b> About "MAN OF LAMANCHA" </b>
  <!-- jed note: in this paragraph, every single use of word 'and' was an ampersand.
  drove me nuts in reading it; am spelling out the word for web presentation -->
<br/><br/>
  "MAN OF LAMANCHA" is not, strictly speaking, an adaptation of "DON QUIXOTE" at all.
  It is an original work that deals with a crucial few hours in the life of Cervantes.
  "MAN OF LAMANCHA" might most conveniently be described as a musical within a play,
  but in truth its originality of form defies classification.
<br/><br/>
  Miguel De Cervantes, aging and an utter failure in his varied careers as playwright, 
  poet, and tax collector for the government, has been thrown into a dungeon in Seville 
  to await trial by the Inquisition for an offense against the Church.  There he is 
  hailed before a kangaroo court of his fellow prisoners:  thieves, cutthroats and 
  trollops who propose to confiscate his meagre possessions.  One of these possessions 
  is the uncompleted manuscript of a novel called "DON QUIXOTE", and Cervantes, seeking 
  to save it, proposes to offer a defense in the form of an entertainment which will 
  explain himself and his attitude toward life.  The "Court" accedes, and before their eyes, 
  donning makeup and costume, Cervantes and his faithful manservant transform themselves 
  into Don Quixote and Sancho Panza, proceeding to play out the story with the involvement 
  and participation of the prisoners as other characters.
<br/><br/>
  Quixote and Sancho take to the road in a campaign to restore the Age of Chivalry, 
  to battle evil and right all wrongs.  While Quixote and his squire are en route to a 
  distant roadside inn - which the Don insists to Sancho is really a castle - 
  Aldonza, the inn's serving girl and part time trollop, is propositioned and taunted 
  by a group of rough muleteers.  Upon arrival at the inn, Quixote, in his splendid 
  if lunatic vision, sees Aldonza as the dream-ideal whom he will worship and serve 
  evermore.  Aldonza is confused amp; angered by Quixote's refusal to recognize her 
  for what she really is.
<br/><br/>
  In the country home which Quixote left behind, his niece Antonia and his Housekeeper 
  seek out the neighborhood padre to consider how this madness may best be dealt with.  
  The Padre and Dr. Sanson Carrasco, Antonia's fiance, are delegated to pursue the 
  madman and bring him back home.  Meanwhile, Quixote dispatches Sancho to Aldonza with 
  a "Missive" declaring his everlasting devotion to Dulcinea and while Quixote is 
  standing vigil in the courtyard of the inn in preparation for his official dubbing 
  as a knight, Aldonza accosts him directly, asking "What do you want of me?".
<br/><br/>
  The Padre and Dr. Carrasco, having failed in their mission, grimly plan a new attempt 
  to bring Quixote to his senses.  The Padre hopes that "the cure will not prove 
  worse than the disease".  At this point, replying to Aldonza's question about doing 
  the things he does, Quixote explains he must follow his Quest.  Aldonza then 
  encounters the Muleteers loafing near the courtyard well, and they tease and taunt her.  
  Following the Padre's and Dr. Carrasco's departure, Quixote defends Aldonza's honor 
  in a successful battle with the Muleteers, and as his reward is formally knighted 
  by the Innkeeper.
<br/><br/>
  Now, having caught the fever of Quixote's idealism, Aldonza attempts to put into 
  practice, but for her efforts she is cruelly beaten and carried off by the muleteers.  
  Disillusioned, Aldonza passionately denounces Quixote and his dreams, which have 
  brought her only anguish.  Now appears "The Enchanter", fantastically costumed 
  as the Knight of the Mirrors.  He challenges Quixote to combat, forcing him to look 
  into the Mirror of Reality where Quixote sees reflected a fool and a madman. Quixote 
  is defeated.. but Aldonza, a witness to his destruction, feels a deep sense of loss.
<br/><br/>
  At home again, the old man who once called himself Don Quixote is dying.  His 
  faithful manservant, who has been his Sancho, attempts to cheer him up.  
  Aldonza, having followed, forces her way into the room, pleads with him to become 
  Don Quixote once more and restore the vision of glory she held so briefly.  
  As she helps him recall the words, Quixote, stirred to the old fire, rises from 
  his bed so that he, Sancho, and Aldonza may once more set out upon their mission.  
  But in the moment of reaffirmation, he collapses, dying.  Aldonza, having seen 
  the vision once more, refuses to acknowledge Quixote's death.  When Sancho questions 
  her, she replies, "My name is Dulcinea".  Quixote, having considered her throughout 
  as individual of unique worth and value, has literally transformed her.
<br/><br/>
  Back in Cervantes' dungeon, the prisoners, dregs of humanity though they are, 
  have been deeply affected by his story and restore to him his precious manuscript, 
  and as he leaves to face his real trial, they unite to sing the words of Cervantes - 
  Quixote's "The Quest".
</para>

<para>
  <b> ANOTHER MILESTONE </b>
<br/><br/>
  In this Bicentennial year, The Actorsingers optimistically look to the future 
  with an occasional glance backward.  It has been sometime since those early 
  shows at the Church of the Good Shepherd.  For twenty-two years, this organization 
  has managed to produce two major musicals and one children's show <!-- added by jho--> each <!-- x -->
  year; often not knowing where the time, staff, dollars or space would come from.
<br/><br/>
  We take this occasion to tell you about our next milestone-a "home" of our own 
  where we can be together under one roof for rehearsals, meetings, drama and 
  music classes, costume storage, set design, and all technical phases of theatre 
  production.
<br/><br/>
  The St. Joseph School Annex building on nearby Lake Street was made available 
  to us recently at reasonable cost and we plan to occupy this property by December 1st.
<br/><br/>
  We look upon our headquarters as a community enterprise.  We do not expect annual 
  drives but shall remain self-sustaining with your continued support and patronage.  
  Performances will remain here at the Elm St. Jr. High School.
<br/><br/>
  However, as we strive to raise the capital funds needed to purchase this property, 
  please consider a personal donation of any size that will assist us in attaining 
  our $50,000 goal.    
<br/><br/>
  It is our constant hope to be a vital part of our community's cultural scene and 
  to bring fine muscial theatre to the Greater Nashua area for many years to come.
<br/><br/>
  Thank you for your continued interest in Actorsingers.
<br/><br/>
  Lorraine Graham, President
</para>

<synopsis title="Musical Numbers">
  <act ix="">
    <s ix="Setting"> <set> The common room of a stone prison vault in Seville, Spain, at the end of the sixteenth century. </set>
      <n> <t> Overture </t> <w> Orchestra </w> </n>
      <n> <t> Man of LaMancha </t> <w> Cervantes, Sancho </w> </n>
      <n> <t> It's All the Same </t> <w> Aldonza, Muleteers </w> </n>
      <n> <t> Dulcinea </t> <w> Cervantes, Muleteers </w> </n>
      <n> <t> I'm Only Thinking of Him </t> <w> Antonia, Padre, Housekeepers </w> </n>
      <n> <t> We're Only Thinking of Him </t> <w> Antonia, Padre, Housekeeper, Dr. Carrasco </w> </n>
      <n> <t> I Really Like Him </t> <w> Sancho </w> </n>
      <n> <t> What Does he Want of Me </t> <w> Aldonza </w> </n>
      <n> <t> Little Bird, Little Bird </t> <w> Cervantes, Sancho </w> </n>
      <n> <t> Barber's Song </t> <w> Barber </w> </n>
      <n> <t> Golden Helmet of Mambrino </t> <w> Cervantes, Sancho, Barber, Carrasco, Muleteers </w> </n>
      <n> <t> To Each His Dulcinea </t> <w> Padre </w> </n>
      <n> <t> The Impossible Dream </t> <w> Cervantes </w> </n>
      <n> <t> The Combat </t> <w> Cervantes, Sancho, Aldonza, Muleteers </w> </n>
      <n> <t> The Dubbing </t> <w> Innkeeper </w> </n>
      <n> <t> Knight of the Woeful Countenance </t> <w> Innkeeper, Sancho,  Aldonza </w> </n>
      <n> <t> The Abduction </t> <w> Aldonza, Muleteers </w> </n>
      <n> <t> The Impossible Dream (Reprise) </t> <w> Cervantes </w> </n>
      <n> <t> Man of LaMancha (Reprise) </t> <w> Cervantes </w> </n>
      <n> <t> Moorish Dance </t> <w> Cervantes, Sancho, Gypsies, Moorish Dancer </w> </n>
      <n> <t> Aldonza </t> <w> Aldonza </w> </n>
      <n> <t> A Little Gossip </t> <w> Sancho </w> </n>
      <n> <t> Dulcinea (Reprise) </t> <w> Aldonza </w> </n>
      <n> <t> The Impossible Dream </t> <w> Cervantes, Aldonza </w> </n>
      <n> <t> Man of LaMancha (Reprise) </t> <w> Cervantes, Sancho, Aldonza </w> </n>
      <n> <t> The Psalm </t> <w> Padre </w> </n>
    </s>
  <s ix="MAN OF LaMANCHA WILL BE PRESENTED WITH NO INTERMISSION" />
  </act>
</synopsis>

<synopsis title="Scenes">
  <subtitle> Various places in the imagination of Miguel de Cervantes </subtitle>

  <act ix="">
    <s ix=""> <set> The prison vault </set> </s>
    <s ix=""> <set> A road in La Mancha </set> </s>
    <s ix=""> <set> Windmill Scene </set> </s>
    <s ix=""> <set> The prison vault </set> </s>
    <s ix=""> <set> The main room of a country Inn </set> </s>
    <s ix=""> <set> The prison vault </set> </s>
    <s ix=""> <set> A country church in La Mancha </set> </s>
    <s ix=""> <set> Alonso Quijana's house </set> </s>
    <s ix=""> <set> The kitchen of the Inn </set> </s>
    <s ix=""> <set> Dulcinea letter scene </set> </s>
    <s ix=""> <set> The stable of the Inn </set> </s>
    <s ix=""> <set> The Barber's crown </set> </s>
    <s ix=""> <set> Courtyard of the Inn </set> </s>
    <s ix=""> <set> Knighting ceremony </set> </s>
    <s ix=""> <set> Interior of the Inn </set> </s>
    <s ix=""> <set> The prison vault </set> </s>
    <s ix=""> <set> A road in La Mancha </set> </s>
    <s ix=""> <set> Moorish Gypsy camp </set> </s>
    <s ix=""> <set> Courtyard of the Inn </set> </s>
    <s ix=""> <set> Confronting the Knight of the Mirrors </set> </s>
    <s ix=""> <set> The prison vault </set> </s>
    <s ix=""> <set> Bedroom of Alonso's house </set> </s>
    <s ix=""> <set> The prison vault </set> </s>
  </act>
</synopsis>

<upcoming>
  The Actorsingers are very happy to announce that the Spring 1977 show will be
  <br/> <b> The KING and I </b>
  <br/> to be performed here, on May 6,7,8, 1977 
</upcoming>

</show>
