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The Actorsingers Great live musical theater in Nashua, New Hampshire since 1955
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Camelot (1977)[Camelot 2002]
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[Past Shows] [Prev] [Next]  | Elm Street Junior High School November 18-20, 1977
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
"Camelot" is presented by arrangement with Tams-Witmark Music Library, Inc.,
737 Third Avenue, N.Y., N.Y. 10017.
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Cast List
King Arthur John Tamanakis
Guenevere Gisele LaFrance
Lancelot Sid Basha
Pellinore Donald Sisson
Merlyn Stanley Polan
Mordred Donald Baillargeon
Sir Dinadan Joel Levesque
Sir Lionel Carlos Vargas-Mass
Morgan Le Fey Kathy Porter
Sir Sagramore Douglas McDonald
Nimue Anne S. Harvey
Queen's Ladies
Lady Sybil Bonnie Weymouth
Lady Anne Robin MacDonald
Pages & Squires
Dap Steven Smolkin
Others
Joanna Mather-Lees,
Mathew Parent
Heralds
Steven Smolkin,
Daniel Pelletier,
William Schulz,
Tony Mallia
Dancers
Colleen Aldrich,
Susan Dumont,
Holly Kenny,
Linnea McAllister,
Bill Williamson,
Eric Heath,
Douglas McDonald,
Marc Bouchard
Chorus
Colleen Aldrich,
John Baird,
Marc Bouchard,
Maurice Coutu,
Susan Daigle,
Susan Dumont,
Linda Friesinger,
Susan Hailson,
Adrienne Jones,
Holly Kenny,
Eric Heath,
Linnea McAllister,
John McAllister,
Douglas McDonald,
Robin McDonald,
Judy Morris,
Sally Moyer,
Mark Plamondon,
Rita Paquin,
David Pierce,
Helen Sheehen,
Terrence Toland,
Ann Way,
Harlan Worchel,
Bill Williamson,
Licia Whitegiver,
Wayne Vanier
Orchestra List
Violin I Anne Egan
Violin II George Szok
Cello Rowena Carr
Bass Richard Wharton
Trumpet I Frank Iovieno
Trumpet II Ann Callahan
Horn I Steve Biagini
Horn II Linda DeRoche
Flute Jill Gidge
Clarinet Natalie Takanaka
Trombone Donald Wallin
Percussion Duane Catera
Piano Wendy Mahoney
Acknowledgments Duhamel, Inc. The Nestle Company Rev. Raymond Desjardins Collins Flowers
A Special Thank You to Sanders Associates, Inc. for their generous donation to our building fund drive And Member John Ayer for payment of his pledge | Production and Staff List
Cast Coordinator Kathi Laflamme
Director Kathy Milbouer
Musical Director Adrith Provencher
Accompanist Wendy Mahoney
Choreographer Laura Murphy
Set Design John Fionte
Set Construction
David Cooney, Chairman,
Wayne Vanier,
Sonny Roy,
Kathy Raby
Set Painting
Debbie Hoyt,
Kathy Rapsis,
Mr. & Mrs. Leonard,
David Morin,
Elaine Duhamel
Lighting Richard L. Meanhan, Jerry Mulcahy
Sound Ray Tachette
Stage Manager John Liljeberg
Stage Crew
David Cooney,
Wayne Vanier,
Sonny Roy,
Kathy Raby,
David Morin,
Elaine Duhamel,
Mr. & Mrs. Leonard,
Kathy Rapsis,
Gig Marineau
Wardrobe Chairman Margaret Tamulonis
Costume Co-chairmen Margaret Tamulonis, Maria Vargas
Costume Committee
Raelene Liljeberg,
Ena Carreher,
Kay Kandra,
Betty Jones,
Dianne Rosenbloom,
Rachael Rosenberg,
Rachael Boggis,
Marge Thompson,
Carol Nadeau,
Barbara Page,
Betty Badeau,
Anne Harvey,
Myra Florio,
Members of the cast
Properties
Elaine Duhamel, Chairman,
John Liljeberg,
Jewel Shanahan,
Christine Brunelle
Make-up
Karen Keefe, Chairman,
Pearl Ware, Claire Anderson, Advisors;
Jennifer Backus,
Linda Chojnowski,
Pam St. Laurent,
Dawn Hardy,
Kathy Porter,
Dodi Slingerland,
Betty Callahan,
Louise Jackson,
Jay Zoller,
Donna Landry,
Lisa Ware,
Robert Haven
Hair Design Ellen LeBlanc, Linda Poisson
Programs
Bill Williamson, Chairman,
Kathi Laflamme
Program Ad Sales Marc Bouchard
Typists Maggie Clark, David Trow
Patrons Albin Tamulonis
Tickets
Christine Brunelle, Chairman,
Denise Duhamel,
Diane Duhamel
Publicity Chairman Dan Pelletier
Posters & Program Cover Kathi Laflamme
Cast Photographer Millie Wright
Portrait Photographer Richard Croteau
House Chairman Lorraine Graham
Ushers
Cathy Andruskevich,
Frank Bolen,
Grace Bolen,
Lona Bower,
Judith Bausha,
Lorraine Graham,
Frank Graham,
Irene Gordon,
Louise King,
Robert Narkunas,
Margot Long,
Diane LaFrance,
Joan Rearick,
Janice Rockwell,
Arthur Rockwell,
Christine Rockwell,
Sally Trombley,
Albin Tamulonis,
Rachael Tranchmontagne
Dress Rehearsal Ushers
Ten Junior Actorsingers served as ushers for the dress rehearsal, coordinated by Janice Rockwell
Concession Fortuat LeBlanc
Orchestra Coordinator Adrith Provencher
Refreshments at Rehearsals Daniel Pelletier
Membership Chairman Linnea McAllister
Bank Window Display Sue Dumont
Afterglow
Patricia Allard, Chairman,
David Boudreau,
James Frost,
Helen Sheehan
Auditions
John Florio, Chairman,
Kathy Milbouer,
Adrith Provencher,
Laura Murphy
Moving Crew & Cleanup
David Cooney,
Wayne Vanier,
Sonny Roy,
Kathy Raby,
David Morin,
Elaine Duhamel,
Mr. & Mrs. Leonard,
Kathy Rapsis,
Gig Marineau,
Mark Hamilton,
Members of the cast
Patrons Committee
Albin R. Tamulonis, Chairman;
Assisted By: Margaret Tamulonis
Note- A special vote of thanks to Kathi, Millie, Marc, Dave, Maggie and Lorraine. Good workers are much appreciated. --Bill Williamson
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The Actorsingers historically has invited people with special needs and the
religious community to attend the "premiere" performance, the dress rehearsal,
of our shows as our guests. The list has been expanded this year to include
the following organizations:
GREENBRIAR TERRACE
MOUNT HOPE SCHOOL
THE PLUS COMPANY
THE FRIENDSHIP CLUB
LETITIA PRATT FOUNDATION
NEED, INC.
NAPH
NATIONAL FEDERATION OF THE BLIND
THE RELIGIOUS COMMUNITY
Senior Citizens and students also are encouraged to attend the Sunday evening
performance by providing their entertainment at a reduced rate.
Historical Notes
The story of the high King Arthur has been a part of British history for a
great many years. The first and most well known writer of the Arthurian
Legend is Geoffry of Monmouth, who lived in the sixth century. Although
his account is believed to be inaccurate and much embellished, the story
he tells is the most familiar today.
The play "Camelot" is based later in history than that in which the
Arthurian Legend is conjectured to occur. The Fifth century A.D. is
usually accepted as the time of King Arthur; he is estimated to have been
born late in that century, and his legend is told thus:
Merlyn, who became Arthur's tutor and lifelong companion, prophesied that
a child born to King Uther (brother of Ambrosius, who unified Britain) and
Ygraine (the young wife of the aged King Gorlois of Cornwall) would become
High King of Britian. Uther had fallen in love with Ygraine at his coronation
feast. After a battle in which Gorlois was killed the King married Ygraine.
Arthur was conceived sometime before the wedding, and the King refused to
acknowledge him. He gave care of the child to Merlyn, and for the next
fourteen years did not see his son.
Raised in a northern British province, Arthur grew and thrived. During
his fourteenth year, the threat of invasion by the Saxons and Picts became
crucial. Merlyn brought Arthur to Uther's side and when the King died,
Arthur was presented as Uther's legal heir. Some nobles contested this,
so Merlyn, by magical arts, affixed a sword through a stone and anvil.
The sword bore the legend: "WHOSO PULLETH OUT THIS SWORD OF THIS STONE AND
ANVIL, IS RIGHTWISE KING BORN OF ALL BRITAIN." Arthur, by pulling the sword
from its resting place, proved himself King of Britain and reigned for many years.
Message From The Director
Camelot has become more than a musical play for me and the cast:
it has indeed become a very special experience. We have grown to love
the story of King Arthur and the Knights of the Round Table. I am sure you
will discover that, although Camelot is supposed to have been a legend
(and new evidence may prove this supposition wrong), it is also the dream
of many people throughout time and history. Those of you familiar with the
story will appreciate the script and music by Lerner and Loewe. I have kept
the sets simple so that one never loses the dreamlike quality of Camelot.
The concern for the love between Arthur, Guenevere, and Lancelot is the
main theme, although there are several other plots and conflicts woven throughout
the story. My wish is for everyone to leave the theater with a little bit of
Camelot in their heart.
Sincerely, Kathy Milbouer Director
Actorsinger Chorus
In addition to our two major productions and our children's musical,
this year we formed an Actorsinger Chorus to provide additional opportunities
for solo and choral singing. The chorus performs for us in special shows
for various business, service and cultural organizations. Three of tonight's
leads in "Camelot" are members of the chorus. Chorus meets Monday evenings
from 7:30 to 9:30 in the Actorsinger Building on Lake Street. New members
are invited and welcome. For information, call Chorus Secretary Jackie
Maynard - 882-0696.
Musical Synopsis of Scenes
ACT IScene 1 A hilltop near Camelot, a long time ago. "I Wonder What the King is Doing Tonight" Arthur "The Simple Joys of Maidenhood" Guenevere Scene 2 Near Camelot, immediately following. "Follow Me" Nimue Scene 3 Arthur's study, five years later. Scene 4 A countryside near Camelot, a few months later. "C'est Moi" Lancelot Scene 5 A garden near the castle, immediately following. "The Lusty Month of May" Guenevere and Ensemble Scene 6 A terrace of the castle, a week later. "How to Handle a Woman" Arthur Scene 7 The tents outside the Jousting Field, a few days later. Scene 8 The Jousting Field. "The Jousts" Arthur, Guenevere and Ensemble Scene 9 The terrace. Early evening of the same day. "Before I Gaze at You Again" Guenevere Scene 10 A corridor in the castle, immediately following. Scene 11 The Grand Hall, immediately following. |
ACT IIScene 1 The main terrace of the Castle, a few years later. "If Ever I Would Leave You" Lancelot "The Seven Deadly Virtues" Mordred Scene 2 The terrace of the castle, a month later. "What Do the Simple Folk Do?" Guenevere and Arthur Scene 3 A forest near Camelot, a few days later. Scene 4 The forest of Morgan le Fey, immediately following. "The Persuasion" Mordred and Morgan le Fey Scene 5 A corridor to the Queen's bedchamber, later that night. Scene 6 The Queen's bedchamber, immediately following. "I Loved You Once in Silence" Guenevere Scene 7 Camelot. "Guenevere" Ensemble Scene 8 A battlefield outside Joyous Gard, a few weeks later. "Camelot" (Reprise) Arthur |
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