<?xml-stylesheet type="text/xsl" href="show.xsl" ?>
<show id="s1978a">

<performing_organization> Actorsingers </performing_organization>
<title> 1776 </title>
<year> 1978 </year>
<dates> April 14-16 </dates>
<times>  </times>
<price>  </price>
<venue id="Elm"> Elm Street Junior High </venue>

<related_shows>
  <prior id="s1977b" />
  <next  id="s1978b" />
</related_shows>

<art>
  <program_cover src="pix/s1978ac.gif" />
</art>

<credits>
  <by> Music and Lyrics by <writer> Sherman Edwards </writer> </by>
  <by> Book by <writer> Peter Stone </writer> </by>

  <by> Based on a Concept by Sherman Edwards </by>
  <by> Original Production Directed by Peter Hunt </by>
  <by> Originally Produced on the Broadway Stage by Stuart Ostrow </by>
</credits>

<cast title="The Cast">
  <R> <ch name="Members of the Continental Congress" /> </R>
  <R> President
    <R> <ch name="John Hancock" /> <w> Howard Jones </w> </R>
  </R>
  <R> New Hampshire
    <R> <ch name="Dr. Josiah Bartlett" /> <w> Alfred Erickson </w> </R> </R>
  <R> Massachusetts
    <R> <ch name="John Adams" /> <w x="graham-f"> Frank Graham </w> </R> </R>
  <R> Rhode Island
    <R> <ch name="Stephen Hopkins" /> <w x="coutu-m"> Maurice Coutu </w> </R> </R>
  <R> Connecticut
    <R> <ch name="Roger Sherman" /> <w> John Baird </w> </R> </R>
  <R> New York
    <R> <ch name="Lewis Morris" /> <w> Robert Narkunas </w> </R>
    <R> <ch name="Robert Livingston" /> <w> Carlos Vargas-Mass </w> </R> </R>
  <R> New Jersey
    <R> <ch name="Rev. Jonathan Witherspoon" /> <w x="tamulonis-a"> Albin Tamulonis </w> </R> </R>
  <R> Pennsylvania
    <R> <ch name="Benjamin Franklin" /> <w> Jay Cormier </w> </R>
    <R> <ch name="John Dickinson" /> <w> Donald E. Sisson </w> </R>
    <R> <ch name="James Wilson" /> <w> Paul Asente </w> </R> </R>
  <R> Delaware
    <R> <ch name="Caesar Rodney" /> <w> Wayne Vanier </w> </R>
    <R> <ch name="Col. Thomas McKean" /> <w> Joel Levesque </w> </R>
    <R> <ch name="George Read" /> <w> Bruce May </w> </R>
  </R>
  <R> Maryland
    <R> <ch name="Samuel Chase" /> <w> David Crockett </w> </R>
  </R>
  <R> Virginia
    <R> <ch name="Richard Henry Lee" /> <w> Sid Basha </w> </R>
    <R> <ch name="Thomas Jefferson" /> <w x="pierce-d"> David Pierce </w> </R>
  </R>
  <R> North Carolina
    <R> <ch name="Joseph Hewes" /> <w> Mark Plamondon </w> </R>
  </R>
  <R> South Carolina
    <R> <ch name="Edward Rutledge" /> <w> Michael Davids </w> </R>
  </R>
  <R> Georgia
    <R> <ch name="Dr. Lyman Hall" /> <w x="mcallister-j"> John McAllister </w> </R>
  </R>
  <R> Secretary
    <R> <ch name="Charles Thompson" /> <w> Terry Toland </w> </R>
  </R>
  <R> Custodian"
    <R> <ch name="Andrew McNair" /> <w> John Doherty </w> </R>
  </R>

  <R> &#160; </R>
  <R> <ch name="Abigail Adams" /> <w> Robin MacDonald </w> </R>
  <R> <ch name="Martha Jefferson" /> <w> Bonnie Weymouth </w> </R>
  <R> <ch name="A Leather Apron" /> <w> David Wood </w> </R>
  <R> <ch name="A Painter" /> <w> David Wood </w> </R>
  <R> <ch name="A Courier" /> <w> Russell Perrins </w> </R>
</cast>

<orchestra title="Orchestra">
  <R i="Violin"> <w> Bozina Bruziak </w> </R>
  <R i="Cello"> <w> Rowena Carr </w> </R>
  <R i="Bass"> <w> Paul Pesce </w> </R>
  <R i="Flute"> <w> Heather Pyle </w> </R>
  <R i="Clarinet"> <w> Alison Price </w> </R>
  <R i="Oboe"> <w> Gail Grycel </w> </R>
  <R i="Trumpet"> <w> Dale Floman </w> </R>
  <R i="Trombone"> <w> Don Wallin </w>, <w> Alan Shepard </w> </R>
  <R i="French Horn"> <w> Ellen Michaud </w>, <w> Janet Mentus </w> </R>
  <R i="Keyboard"> <w> Jo Millett </w> </R>
  <R i="Percussion"> <w> Peter Marsh </w> </R>

</orchestra>	

<acknowledgments title="Acknowledgments">
  <w> Garrett Players </w>
  <w> Nashua Auto Co., Inc. </w>
  <w> Hampshire Music </w>
  <w> Street Car Players </w>
  <w> The Anselmian Summer Theater </w>
  <w> Church of the Good Shepherd </w>
  <w> Peerless Electrical Distributors </w>
  <w> Machinist's in Manchester </w>
  <w> New Hampshire Consistory 32nd Degree </w>
</acknowledgments>

<staff title="Production and Staff List">
  <R j="Director-Choreographer"> <w x="graham-l"> Lorraine Graham </w> </R>
  <R j="Musical Director"> <w> Adrith Provencher </w> </R>
  <R j="Pianist"> <w> Jo Millett </w> </R>
  <R j="Assistant Rehearsal Pianist"> <w> Wendy Mahoney </w> </R>
  <R j="Cast Coordinator"> <w x="bosowski-f"> Franceska Bosowski </w>, assisted by <w> Bob Narkunas </w> </R>
  <R j="Set Design"> <w> Joan Seller </w> </R>
  <R j="Set Construction">
    <w> Justin Crowley </w>,
    <w x="tomasian-w"> Warren Tomasian </w>,
    <w> Maurice Jennings </w>,
    <w x="graham-f"> Frank Graham </w>,
    <w> Bill Schultz </w>,
    <w> Ray Tackett </w>,
    <w> George Marineau </w>
  </R>
  <R j="Set Painting">
    <w> John Prendergast </w>,
    <w> Pam St. Laurent </w>,
    <w> Mary Gardner </w>,
    <w> Joan Marchie </w>,
    <w> Kay Goranson </w>,
    <w> Jim Sharkey </w>,
    <w> Chuck Stein </w>,
    <w x="graham-l"> Lorraine Graham </w>,
    <w> Jewel Shanahan </w>,
    <w x="duhamel-e"> Elaine Duhamel </w>
  </R>
  <R j="Lighting"> <w> Richard Meaney </w>, <w> David Gilmore </w>, <w> Bruce Tatro </w> </R>
  <R j="Sound"> <w> Ray Tackett </w> </R>
  <R j="Stage Manager"> <w> Bill Schultz </w> </R>
  <R j="Stage Crew">
    <w> Justin Crowley </w>,
    <w> George Marineau </w>,
    <w x="tomasian-w"> Warren Tomasian </w>,
    <w> Scott Benjaminson </w>,
    <w> Scott Shanahan </w>
  </R>
  <R j="Costume Design"> <w> Mary Vargas </w>, assisted by <w x="tamulonis-p"> Margaret Tamulonis </w> </R>
  <R j="Costume Committee"> <w> Inez Martinez </w>, <w> Betty Jones </w>, <w> Diane Rosenblum </w> </R>
  <R j="Properties"> <w x="duhamel-e"> Elaine Duhamel </w>, <w> Mary Lou Tackett </w>, <w> Jewel Shanahan </w> </R>
  <R j="Make-up Chairman"> <w> Jackie Maynard </w> </R>
  <R j="Character Make-up"> <w> Pearl Ware </w>, <w> Claire Anderson </w> </R>
  <R j="Make-up Committee">
    <w> Wendy Mahoney </w>,
    <w> Barbara Michaud </w>,
    <w> Linda Chojnowski </w>,
    <w> Inez Martinez </w>
  </R>
  <R j="Hair Design"> <w x="andruskevich-c"> Catherine Andruskevich </w> </R>
  <R j="Stylists"> <w> Fernand Croteau </w>, <w x="graham-l"> Lorraine Graham </w> </R>
  <R j="Program"> <w x="mcallister-l"> Linnea McAllister </w>, assisted by <w x="bosowski-f"> Francesca Bosowski </w> </R>
  <R j="Program Ads">
    <w x="pelletier-d"> Dan Pelletier </w>,
    <w> Bob Narkunas </w>,
    <w x="graham-l"> Lorraine Graham </w> and
    Members of the Board
  </R>
  <R j="Patrons"> <w x="tamulonis-a"> Albin Tamulonis </w> </R>
  <R j="Tickets"> <w> Denise Duhamel </w> </R>
  <R j="Publicity Chairman"> <w> Anne Way </w>, assisted by <w x="pelletier-d"> Dan Pelletier </w> </R>
  <R j="Posters, Program Cover, and Collage Arrangement"> <w> Joel Saren </w> </R>
  <R j="Cast Photographer"> <w> Millie Wright </w> </R>
  <R j="Studio Photographer"> <w> Richard Croteau </w> </R>
  <R j="House Chairmen"> <w> Frances </w> and <w> Ernest Peterson </w> </R>
  <R j="Ushers">
    <w> Gisele LaFrance </w>,
    <w x="mcallister-l"> Linnea McAllister </w>,
    <w> Barbara </w> and <w> Donald Page </w>,
    <w> Margot Long </w>,
    <w> Edgar </w> and <w x="badeau-b"> Betty Badeau </w>,
    <w> Everett Millett </w>,
    <w x="tamulonis-p"> Margaret Tamulonis </w>,
    <w> Dianne Albright </w>,
    <w> Ena </w> and <w> Dan Carraher </w>,
    <w> Kay </w> and <w> Ed Goranson </w>,
    <w> Janice Rockwell </w>,
    <w> Bob </w> and <w> Carol Croatti </w>,
    <w> Clare Farr </w>,
    <w> Sue Baird </w>
  </R>
  <R j="Concessions"> <w> Jane </w> &amp; <w> Valerie Vaskas </w>, <w x="bosowski-f"> Fran Bosowski </w> </R>
  <R j="Refreshments at Rehearsals"> <w x="pelletier-d"> Dan Pelletier </w> </R>
  <R j="Membership Chairman"> <w x="mcallister-l"> Linnea McAllister </w> </R>
  <R j="Bank Window Display"> <w> Sally Ann Moyer </w> </R>
  <R j="Afterglow">
    <w x="tamulonis-p"> Margaret Tamulonis </w>,
    <w> Bill Williamson </w>,
    <w> Susan Dumont </w>,
    <w> Jackie Maynard </w>
  </R>
  <R j="Auditions">
    <w> Bob Narkunas </w>, chairman;
    <w> Carol Goss </w>,
    <w x="graham-l"> Lorraine Graham </w>,
    <w> Adrith Provencher </w>,
    <w> Susan Dumont </w>,
    <w x="liljeberg-j"> John Liljeberg </w>,
    <w> Dodie Slingerland </w>
  </R>
  <R j="Moving and Cleaning Crew">
    <w> Justin Crowley </w>,
    <w x="tomasian-w"> Warren Tomasian </w>,
    <w> George Marineau </w>,
    <w> Maurice Jennings </w>,
    <w> Scott Shanahan </w>,
    <w> Walter Marcella </w>,
    Members of the Cast
  </R>
</staff>

<para>
  <p>
    <b> Historical Notes </b>
  </p><br/><p>
    The first question we are asked by those who have seen&#151;or read&#151;1776 is
    invariably: "Is it true? Did it really happen that way?"
  </p><br/><p>
    The answer is yes.
  </p><br/><p>
    Certainly a few changes have been made in order to fulfill basic dramatic
    tenets. To quote a European dramatist, "God writes lousy theater."
  </p><br/><p>
    However, let us list those elements of our play that have been taken, unchanged
    and unadorned, from documented fact.
  </p><br/><p>
    The weather in Philadelphia that late spring and early summer of 1776 was
    unusually hot and humid, resulting in a bumper crop of horseflies incubated in the
    stable next door to the State House (now Independence Hall).
  </p><br/><p>
    John Adams was indeed "obnoxious and disliked"&#151;the description is his own.
  </p><br/><p>
    Benjamin Franklin, the oldest member of the Congress, suffered from gout in
    his later years and often "drowsed" in public.
  </p><br/><p>
    Thomas Jefferson, the junior member of the Virginia delegation, was
    entrusted with the daily weather report.
  </p><br/><p>
    Rhode Island's Stephen Hopkins, known to his colleagues as "Old Grape and
    Guts" because of his fondness for distilled refreshment, always wore his round
    black, wide-brimmed Quaker's hat in the chamber.
  </p><br/><p>
    Portly Samuel Chase, the gourmand from Maryland (pronounced Mary-land
    in those times), was referred to (behind his back, of course) as "Bacon-Face."
  </p><br/><p>
    Connecticut's Roger Sherman always sat apart from his fellow Congressmen,
    sipping coffee from a saucer-like bowl.
  </p><br/><p>
    Caesar Rodney of Delaware, suffering from skin cancer, never appeared in
    public without a green scarf wrapped around his face.
  </p><br/><p>
    George Washington's dispatches arrived on an average of three a day, and
    almost all of them were "gloomy" to the point of despair.
  </p><br/><p>
    Edward Rutledge of South Carolina, the youngest member of Congress, was
    the leading proponent of individual rights for individual states.
  </p><br/><p>
    Adams knew he would not receive his proper due from posterity. He wrote
    that "the whole history of this Revolution will be a lie, from beginning to end."
    And, equally, he knew that Franklin was the stuff of which national legends are
    built. They would certy that "Franklin did this, Franklin did that, Franklin did
    some other damned thing... Franklin smote the ground and out sprang George
    Washington, fully-grown and on his horse... Franklin then electrified him with his
    miraculous lightening rod and the three of them&#151;Franklin, Washington and the
    horse&#151;conducted the entire Revolution by themselves."
  </p><br/><p>
    The Declaration of Independence was debated by the Congress for three full
    days. It underwent eighty-six separate changes.
  </p><br/><p>
    Jefferson, though a slaveholder himself, declared that "nothing is more
    certainly written in the Book of Fate than that this people shall be free." And
    further: "The rights of human nature are deply wounded by this infamous
    practice."
  </p><br/><p>
    The deadlock existing within the Delaware delegation was broken by mortally
    ill Caesar Rodney, who, in great pain, had ridden all night from Dover, a distance of
    some eighty miles, arriving just in time to save the motion on independence from
    being defeated.
  </p><br/><p>
    When the motion on independence had passed, John Dickinson of
    Pennsylvania, the leader of the anti-independence forces, refused to sign the
    Declaration, a document he felt he could not endorse. But asserting a fidelity to America,
    he left the Congress to enlist in the Continental Army as a private&#151;though he was
    entitled to a commission&#151;and served courageously with the Delaware Militia.
  </p><br/><p>
    The conversion of James Wilson of Pennsylvania from the "Nay" to the
    "Yea" column at the last minute is an event without any surviving explanation. All
    that is definitely known is that Wilson, a former law student of Dickinson's and
    certainly under his influence in Congress as his previous voting record testifies,
    suddenly changed his position on independence and, as a result, is generally credited
    with casting the vote that decided this issue. But why? A logical solution to this
    mystery was found when we imagined one fear he might have possessed that would
    have been stronger than his fear of Dickinson's wrath&#151;the fear of going down in
    history as the man who singlehandedly prevented American independence. Such a
    position would have been totally consistent with his well-known penchant for
    caution.
  </p><br/><p>
    The exchanges, spoken and sung, between John and Abigail Adams are the
    result of distributing, as dialogue, sections and phrases from various letters. The list
    of their children's diseases, the constant requests for "saltpetre for gunpowder"
    (and the counter-request for pins), the use of the tender salutation "Dearest
    Friend," the catalogue of Abigail's faults, the news of the farm in Braintree failing&#151;even
    certain song lyrics transferred intact&#151;all these were edited and rearranged in
    an attempt to establish a dramatically satisfying relationship.
  </p><br/><p>
    This same process was used to construct George Washington's dispatches from
    the field. Literally dozens were selected, from which individual lines were borrowed
    and then patched together in order to form the five communiques that now appear
    in the play.
  </p><br/><p>
    And finally, John Adams' extraordinary prophecy, made on July 3, 1776,
    describing the way Independence Day would be celebrated by future generations of
    Americans and written in a letter to his wife on that date has been paraphrased
    and adapted into lyric form for the song "Is Anybody There?" sung by Adams in
    Scene 7. The original lines are:
  </p>
  <br/>
  <p class="blockindent">
    I am apt to believe that it will be celebrated by succeeding generations
    as the great anniversary festival. It ought to be commemorated as the
    day of deliverance by solemn acts of devotion to God Almighty. It
    ought to be solemnized with pomp and parade, with shows, games,
    sports, guns, bells, bonfires, and illumination, from one end of this
    continent to the other, from this time forward for evermore.
  </p>
  <br/>
  <p class="blockindent">
    You will think me transported with enthusiasm, but I am not. I am well
    aware of the toil and blood and treasure that it will cost us to maintain
    this Declaration and support and defend these States. Yet, through all
    the gloom, I can see the rays of ravishing light and glory. I can see that
    the end is more than worth all the means. And that posterity will
    triumph in that day's transaction, even although we should rue it,
    which I trust to God we shall not.
  </p><br/><p>
    We have attempted, in the paragraphs above, to answer the question, "Is it
    true?" What we cannot answer, however, is how such a question could possibly be
    asked so often by Americans. What they want to know is whether or not the story
    of their political origin, the telling of their national legend, is correct as presented.
    Don't they know? Haven't they ever heard it before? And if not, why not? As we
    say, it's a question we cannot answer.
  </p>
</para>


<synopsis title="">
  <subtitle> The Time </subtitle>
  <subtitle> May, June and July, 1776 </subtitle>
  <subtitle> &#160; </subtitle>
  <subtitle> <b> The Place </b> </subtitle>
  <subtitle> 
    A single setting representing the Chamber and an anteroom of the
    Continental Congress, a Mall, High Street, and Thomas Jefferson's
    Room, in Philadelphia; and certain reaches of the mind of John Adams.
  </subtitle>
</synopsis>

<synopsis title="The Musical Numbers">
  <act ix="ACT I">
    <s ix="Scene 1"> <set> The Chamber of the Continental Congress </set>
      <n> <t> Sit Down, John </t> <w> John Adams and the Congress </w> </n>
      <n> <t> Piddle, Twiddle and Resolve </t> <w> John Adams </w> </n>
      <n> <t> Till Then </t> <w> John and Abigail Adams </w> </n>
    </s>
    <s ix="Scene 2"> <set> The Mall </set>
      <n> <t> The Lees of Old Virginia </t> <w> Richard Henry Lee, Benjamin Franklin and John Adams </w> </n>
    </s>
    <s ix="Scene 3"> <set> The Chamber</set>
      <n> <t> But, Mr. Adams </t> <w> John Adams, Benjamin Franklin, Thomas Jefferson, Roger Sherman and Robert Livingston </w> </n>
    </s>
    <s ix="Scene 4"> <set> Thomas Jefferson's Room on High Street </set>
      <n> <t> Yours, Yours, Yours </t> <w> John and Abigail Adams </w> </n>
      <n> <t> He Plays the Violin </t> <w> Martha Jefferson, Benjamin Franklin and John Adams </w> </n>
    </s>
    <s ix="Scene 5"> <set> The Chamber </set>
      <n> <t> Cool, Cool Considerate Men </t> <w> John Dickinson, Edward Rutledge, Lyman Hall, Joseph Hewes, Robert Livingston, Lewis Morris, George Read and James Wilson </w> </n>
      <n> <t> Momma, Look Sharp </t> <w> Courier, Andrew McNair and Leather Apron </w> </n>
    </s>
  </act>

  <intermission> Intermission </intermission>

  <act ix="ACT II">
    <s ix="Scene 6"> <set> A Congressional Anteroom </set>
      <n> <t> The Egg </t> <w> Benjamin Franklin, John Adams </w> </n>
    </s>
    <s ix="Scene 7"> <set> The Chamber </set>
      <n> <t> Molasses to Rum </t> <w> Edward Rutledge </w> </n>
      <n> <t> Compliments </t> <w> Abigail Adams </w> </n>
      <n> <t> Is Anybody There? </t> <w> John Adams </w> </n>
    </s>
  </act>
</synopsis>

</show>

