<?xml-stylesheet type="text/xsl" href="show.xsl" ?>
<show id="s2007a">

<performing_organization> Actorsingers </performing_organization>
<title> Oklahoma </title>
<year> 2007 </year>
<dates> May 4, 5, 6 </dates>
<times> 8pm, (2pm, 8pm), 2pm </times>
<price> </price>
<venue id="Elm"> Edmund Keefe Auditorium </venue>

<related_shows>
  <prior id="s2006b" />
  <next  id="s2007b" />
  <same  id="s1973a" name="Oklahoma 1973" />
</related_shows>

<art>
  <program_cover src="pix/cover_coming.gif" />
</art>

<credits>
  <by> Music by <writer> Richard Rodgers </writer> </by>
  <by> Book and Lyrics by <writer> Oscar Hammerstein </writer> </by>
  <based-on> Based on the play "Green Grow The Lilacs" by Lynn Riggs <br/> Original Dances by Agnes de Mille </based-on>
  <credits> <br/><br/>{This page is under construction} </credits>
</credits>


<cast title="THE CAST OF OKLAHOMA!">
  <R> <ch name="Characters" />
    <R> <ch name="Curly McLain"/> <w x="coppola-m"> Michael Coppola </w> </R>
    <R> <ch name="Laurey Williams"/> <w> Mandy O'Neil </w> </R>
    <R> <ch name="Will Parker"/> <w x="caron-t"> Thomas Caron </w> </R>
    <R> <ch name="Ado Annie Carnes"/> <w x="scott-r"> Rachel Scott </w> </R>
    <R> <ch name="Aunt Eller"/> <w x="mitchell-ju"> Judi Mitchell </w> </R>
    <R> <ch name="Jud Fry"/> <w x="ritrovato-t"> Tom Ritrovato </w> </R>
    <R> <ch name="Ali Hakim"/> <w> Gary Vago </w> </R>
    <R> <ch name="Dream Laurey"/> <w x="cassidy-t"> Tina Cassidy </w> </R>
    <R> <ch name="Gertie Cummings"/> <w x="cerullo-r"> Rachel Cerullo </w> </R>
    <R> <ch name="Cord Elam"/> <w> Rudy Borkowski </w> </R>
    <R> <ch name="Andrew Carnes"/> <w x="hunter-a"> Allan Hunter </w> </R>
    <R> <ch name="Ike Skidmore"/> <w> David Corliss </w> </R>
    <R> <ch name="Slim"/> <w x="witt-a"> Alan Witt </w> </R>
  </R>
  <R> <ch name="Territory Folks! (Ensemble)"/>
    <R> <w> John Barsoian </w> </R>
    <R> <w x="bradbury-m"> Mike Bradbury </w> </R>
    <R> <w x="fowler-b"> Beth Fowler </w> </R>
    <R> <w x="franzini-l"> Laura Franzini </w> </R>
    <R> <w> Al Graceffa </w> </R>
    <R> <w x="gray-k"> Kenny Gray </w> </R>
    <R> <w x="harper-s"> Steve Harper </w> </R>
    <R> <w> Elizabeth Hoermann </w> </R>
    <R> <w> Alex MacIntyre </w> </R>
    <R> <w> Melissa Morin </w> </R>
    <R> <w x="morrill-e"> Ellie Morrill </w> </R>
    <R> <w x="muller-m"> Mallory Muller </w> </R>
    <R> <w x="patterson-l"> Laura Patterson </w> </R>
    <R> <w> Amanda Picardi </w> </R>
    <R> <w x="reilly-m"> Mary Reilly </w> </R>
    <R> <w x="ritrovato-l"> Lan&#233;a Ritrovato </w> </R>
    <R> <w> Emily Snodgrass </w> </R>
    <R> <w x="standley-j"> Jason Standley </w> </R>
    <R> <w x="sulzen-c"> Corey Sulzen </w> </R>
    <R> <w> Katie Tocci </w> </R>
    <R> <w x="vago-ju"> Julie Vago </w> </R>
    <R> <w> Ryan Warren </w> </R>
    <R> <w> Bruce Williams </w> </R>
    <R> <w x="zoda-t"> Terry Zoda </w> </R>
  </R>
  <R> <ch name="Featured Dancers"/> <w x="franzini-l"> Laura Franzini </w> &amp; <w x="ritrovato-l"> Lan&#233;a Ritrovato </w> </R>
</cast>

<orchestra title="Orchestra">
  <R> Violin: 
    <w x="bailey-a"> Alison Bailey </w>,
    <w x="benson-t"> Tom Benson </w>,
    <w> Robert Tabachnikoff </w>
  </R>
  <R> Viola: <w> Elana Tabachnikoff </w> </R>
  <R> Cello: <w x="demeusy-a"> Andrew Demeusy </w> </R>
  <R> Bass: <w x="fowler-c"> Craig Fowler </w> </R>
  <R> Flute/Piccolo: <w x="true-l"> Linda True </w> </R>
  <R> Clarinet: <w x="davidson-s"> Suellen Davidson </w> </R>
  <R> French Horn: <w x="rousselle-t"> Tara Rousselle </w> </R>
  <R> Trumpet: <w x="neth-c"> Craig Neth </w>, <w x="walz-d"> Deb Walz </w> </R>
  <R> Trombone: <w x="steadman-m"> Michael Steadman </w> </R>
  <R> Percussion: <w x="taylor-j"> John Taylor </w> </R>
  <R> Keyboard: <w x="macrobie-h"> Heather MacRobie </w> </R>
  <R> Conductor: <w x="bonaccorsi-p"> Peter Bonaccorsi </w> </R>
</orchestra>	

<staff title="The Production Crew">
  <R j="Director"> <w> Daniel Barth </w> </R>
  <R j="Assistant Director"> <w x="stafford-m"> Mary Ellen Stafford </w> </R>
  <R j="Musical Director"> <w x="bonaccorsi-p"> Peter Bonaccorsi </w> </R>
  <R j="Choral Director"> <w> Henry Kopczynskie </w> </R>
  <R j="Choreographer"> <w x="scalese-j"> Jessica Scalese </w> </R>
  <R j="Producer"> <w x="emmons-c"> Charles M. Emmons </w> </R>
  <R j="Stage Manager"> <w x="ritrovato-d"> Deb Ritrovato </w> </R>
  <R j="Assistant Stage Manager"> <w x="stafford-m"> Mary Ellen Stafford </w> </R>
  <R j="Cast Coordinator"> <w x="ritrovato-t"> Tom Ritrovato </w>, <w x="vago-ju"> Julie Vago </w> </R>
  <R j="Fight Coordinator"> <w x="haas-r"> Robert Haas </w> </R>
  <R j="Technical Director"> <w x="schneider-d"> Dennis Schneider </w> </R>
  <R j="Set Design"> <w x="lovering-k"> Kathy Lovering </w> </R>
  <R j="Lighting Design"> <w x="brennan-c"> Craig Brennan </w> </R>
  <R j="Sound Design"> <w x="okeefe-md"> Mike O'Keefe </w> </R>
  <R j="Lead Costumers"> <w x="goreham-k"> Kathy Goreham </w> (Chair), <w x="liljeberg-r"> Raelene Liljeberg </w> (Mentor) </R>
  <R j="Costume Assistants">
    <w x="tamulonis-p"> Penny Tamulonis </w>,
    <w x="christie-j"> Jan Christie </w>,
    <w x="strycharz-e"> Elizabeth Strycharz </w>
  </R>
  <R j="Makeup &amp; Hair">
    <w x="andruskevich-c"> Catherine Andruskevich </w>,
    <w x="bonner-a"> Alene Bonner </w>
  </R>
  <R j="Properties"> 
    <w x="gray-g"> Gretchen Gray </w> (lead),
    <w x="ierardi-e"> Liz Ierardi </w>,
    <w x="tomasian-w"> Warren Tomasian </w> <!-- per book; really? -->
  </R>
  <R j="Set Construction">
    <w x="tomasian-w"> Warren Tomasian </w>,
    <w x="mcallister-j"> John McAllister </w>,
    <w x="doiron-l"> Larry Doiron </w>, <!-- book: Doirion -->
    <w x="ryder-m"> Mike Ryder </w>,
    <w x="schneider-d"> Dennis Schneider </w>
  </R>
  <R j="Set Painting">
    <w x="lovering-k"> Kathy Lovering </w>,
    <w x="ryder-m"> Mike Ryder </w>,
    <w> Kathy Roy </w>
  </R>
  <R j="Spot Light Operator">
    <w x="franzini-j"> John Franzini </w>,
    <w x="friedman-j"> Josh Friedman </w>
  </R>
  <R j="Lighting Crew">
    <w x="franzini-j"> John Franzini </w>,
    <w x="brooks-r"> Rick Brooks </w>,
    <w x="friedman-j"> Josh Friedman </w>,
    <w x="mcallister-j"> John McAllister </w>,
    <w x="harper-s"> Steve Harper </w>,
    <w x="ritrovato-t"> Tom Ritrovato </w>,
    <w x="ritrovato-l"> Lan&#233;a Ritrovato </w>,
    <w x="franzini-l"> Laura Franzini </w>,
    <w> Chris Franzini </w>
  </R>
  <R j="Sound Crew">
    <w x="okeefe-mc"> Mike O'Keefe, Jr. </w>, <!-- per book; not really jr! -->
    <w x="lawler-k"> Kevin Lawler </w>,
    <w x="amaral-a"> Alan Amaral </w>
  </R>
  <R j="Stage Crew">
    <w x="amaral-b"> Barb Amaral </w>,
    <w x="friedman-j"> Josh Friedman </w>,
    <w> Christopher Franzini </w>,
    <w> Dana Barsoian </w>,
    <w x="lovering-k"> Kathy Lovering </w>,
    <w x="gray-g"> Gretchen Gray </w>,
    <w> Kelly Dexter </w>,
    <w x="hickey-j"> John Hickey </w>,
    <w x="psoinos-v"> Val Psoinos </w>
  </R>
  <R j="Cast Photography"> <w x="sandler-p"> Paul Sandler </w> </R>
  <R j="Program"> <w x="mehlman-b"> Brian Mehlman </w> (Chair)</R>
  <R j="Program Ad Coordinator"> <w x="scott-r"> Rachel Scott </w> </R>
  <R j="Publicity">
    <w x="frasca-bv"> Beverly Frasca </w> (Chair),
    <w x="lovering-k"> Kathy Lovering </w>,
    <w> Peggy Harris </w>,
    <w x="holland-m"> Martha Daniels-Holland </w>,
    <w x="schneider-k"> Kerry Schneider </w>,
    <w x="miller-d"> David Miller </w>,
    <w x="harper-si"> Silvia Harper </w>,
    <w x="ryder-m"> Mike Ryder </w>,
    <w> Angela Connolly </w>
  </R>
  <R j="Poster Design"> <w x="mehlman-b"> Brian Mehlman </w> </R>
  <R j="Tickets">
    <w x="glynn-r"> Rich Glynn </w> (Chair),
    <w x="schneider-k"> Kerry Schneider </w>,
    <w x="miller-d"> Dave Miller </w>,
    <w x="liljeberg-j"> John Liljeberg </w>,
    <w x="badeau-b"> Betty Badeau </w>,
    <w x="holland-m"> Martha Daniels-Holland </w>
  </R>
  <R j="Rehearsal Accompanist"> <w> Henry Kopczynskie </w> </R>
  <R j="Orchestra Coordinator"> <w x="walz-d"> Deb Walz </w> </R>
  <R j="House Manager"> <w x="ducharme-d"> David Ducharme </w> </R>
  <R j="Transportation"> <w x="duhamel-l"> Lou Duhamel </w> </R>
  <R j="Permits"> <w x="maloney-j"> Jim Maloney </w>, <w x="levesque-v"> Val Levesque </w> </R>
  <R j="Rehearsal Refreshments"> <w x="pelletier-d"> Dan Pelletier </w> </R>
  <R j="Subscriptions"> <w x="schneider-k"> Kerry Schneider </w> </R>
  <R j="Webmaster"> <w x="holland-j"> Jared Holland </w> </R>
  <R j="Afterglow">
    <w x="brunelle-d"> Denis Brunelle <!-- book: Dennis Brunnel --> </w> (Chair),
    <w x="levesque-v"> Val Levesque </w>,
    <w x="emmons-c"> Charles M. Emmons </w>,
    <w x="grimard-g"> Glen Grimard </w>
  </R>
  <R j="Audition Pianist"> <w x="carey-j"> John Carey </w>, <w x="macrobie-h"> Heather MacRobie </w> </R>
  <R j="Audition Board">
    <w x="ducharme-d"> David Ducharme </w> (Chair),
    <w> Daniel Barth </w>,
    <w> Henry Kopczynskie </w>,
    <w x="bonaccorsi-p"> Peter Bonaccorsi </w>,
    <w x="scalese-j"> Jessica Scalese </w>,
    <w x="ritrovato-d"> Deb Ritrovato </w>,
    <w x="holland-m"> Martha Daniels-Holland </w>
  </R>
  <R j="Audition Helpers">
    <w x="kasok-d"> David Kasok </w>,
    <w x="ritrovato-t"> Tom Ritrovato </w>,
    <w x="emmons-c"> Chuck Emmons </w>,
    <w x="stafford-m"> Mary Ellen Stafford </w>,
    <w x="obryant-d"> Donna O'Bryant Metzger </w>,
    <w x="psoinos-v"> Val Psoinos </w>
  </R>
</staff>

<para>
<b>The Actorsingers...</b>
<br/><br/>
The Actorsingers is a nonprofit charitable organization,
incorporated under the laws of the State of New
Hampshire. We are located at 219 Lake Street, Nashua,
New Hampshire, with a mailing address of PO Box 91,
Nashua, New Hampshire 03061.
<br/><br/>
<b>Board of Directors for 2006-2007</b>
<br/>
<br/><b>President</b>         <w x="emmons-c">Charles Emmons</w>
<br/><b>Vice-President</b>    <w x="holland-m"> Martha Daniels Holland</w>
<br/><b>Corresponding Secretary</b> <w x="maloney-j"> Jim Maloney</w>
<br/><b>Recording Secretary</b> <w x="ducharme-d"> Dave Ducharme </w>
<br/><b>Treasurer</b> <w x="polan-s"> Stan Polan </w>
<br/><b>Directors</b>
<br/><w x="obryant-d"> Donna O'Bryant Metzger </w>
<br/><w x="psoinos-v"> Val Psoinos </w>
<br/><w x="glynn-r"> Rich Glynn </w>
<br/><w x="lovering-k">Kathy Lovering</w>
<br/><w x="goreham-k"> Kathleen Meehan Goreham </w>
<br/><w> Craig Neth </w>
</para>

<para>
<p>
<b>Director's Notes:</b>
<br/>
<br/>
I've often heard the debate: Are there any purely American art forms? Many
would agree there are at least two: Jazz music being one and what we commonly
refer to as Musical Theater being the other. Theater experts and historians
will undoubtedly continue to debate but few would argue that the formula
for the American Broadway Musical was perfected from the 1940s into the
1960s. Of all the many talents of that time, none were more accomplished
than Richard Rodgers and Oscar Hammerstein II. Their body of work is rich
with critical acclaim and roundly loved by generations of theater goers everywhere.
The team created many historic shows and broke new artistic ground
with their combined talents.
<br/>
<br/>
<u>Oklahoma</u> was the team's first collaboration and arguably their most important.
<u>Oklahoma</u> opened on Broadway on March 31, 1943 and immediately redefined
what musical theater would be for decades to come. The nation was
coming out of the Great Depression and engaged in the Second World War.
Most Broadway shows were effectively revues with well known singing stars.
They were not stories of challenge and drama. Patrons of the theater wanted
to escape the real world. They did not want to watch a story of struggle and
risk. In his book <u>Rodgers and Hammerstein</u>, author Ethan Mordden writes; "By
the rules of its day, <u>Oklahoma</u> was bizarre, but <u>Oklahoma</u> changed the rules.
These (rules) now read one: Don't start with a star, start with a story. Two:
Don't paste fun onto the show; find the fun within the action. Three: The songs
and dances define the characters or further the action." <u>Oklahoma</u> interpreted
ballet in a whole new way for a musical. It focused on acting as a key performance
skill in staging a musical (not just song and dance). It ran for a then unprecedented
2,212 performances before closing in 1948. With all this, the
show boasts some of the best known and most loved music in theater history.
The show was a true artistic innovation and groundbreaking event in theater.
<br/>
<br/>
<u>Oklahoma</u> is truly a theatrical diamond. Like a precious keep sake or family
tradition that is passed from one generation to the next generation. It is a story
of simple people with simple goals. And though there is uncertainty and risk, a
story of people willing to put aside their differences and gather together to form
a community for their common good. They face the challenges together. And
isn't that at the heart of what makes American and our people great?
<br/><br/>
This is my first project with Actorsingers. It has been my great fortune to work
with this extremely talented cast, these highly professional co-directors and all
the crew and resources of this accomplished and acclaimed organization. It
has been a tremendous experience. Special thanks to my lovely wife Mary for
helping me create the time to go play in the theater and my beautiful daughters
Kate and Rachel who make being a dad one of the great joys in my life!
<br/><br/>
Now go find that cowboy or cowgirl inside you and enjoy the show!
<br/><br/>
<i>Daniel Barth</i>
</p>
</para>
<xsynopsis title="SCENE LIST AND MUSICAL NUMBERS">
  <act ix="ACT I">
    <s ix="Scene 1"> <set> 42nd Street Theater, New York City </set>
      <n> <t> Audition </t> <w> Andy, Billy, Frankie, and Dancers </w> </n>
      <n> <t> Young And Healthy </t> <w> Billy and Peggy </w> </n>
      <n> <t> Shadow Waltz </t> <w> Maggie, Dorothy, and Girls </w> </n>
    </s>

    <s ix="Scene 2"> <set> Gypsy Tea Kettle (The same day) </set>
      <n> <t> Go Into Your Dance*</t> <w> Maggie, Peggy, Annie, Lorraine, and Phyllis </w> </n>
    </s>

    <s ix="Scene 3"> <set> 42nd Street Theater (Later that week) </set>
      <n> <t> You're Getting to be a Habit with Me </t> <w> Dorothy, Billy, Frankie, Peggy, and Dancers </w> </n>
    </s>

    <s ix="Scene 4"> <set> Dorothy Brock's Dressing Room (A few moments later) </set> </s>
    <s ix="Scene 5"> <set> 42nd Street Theater (Several weeks later) </set>
      <n> <t> Getting Out Of Town </t> <w> The Company </w> </n>
    </s>

    <s ix="Scene 6"> <set> Arch Street Theater, Philadelphia (<i>Pretty Lady</i> dress rehearsal) </set>
      <n> <t> Dames </t> <w> Billy and Company </w> </n>
    </s>

    <s ix="Scene 7"> <set> Regency Club and Dorothy Brock's Suite (Later that night) </set>
      <n> <t> I Know Now </t> <w> Dorothy </w> </n>
    </s>

    <s ix="Scene 8"> <set> Arch Street Theater (<i>Pretty Lady</i> opening night) </set>
      <n> <t> I Know Now (reprise) </t> <w> Billy </w> </n>
      <n> <t> We're In the Money </t> <w> Annie, Peggy, Lorraine, Phyllis, Billy, and Dancers </w> </n>
      <n> <t> 42nd Street </t> <w> Dorothy and Company </w> </n>
    </s>
  </act>

  <act ix="ACT II">
    <s ix="Scene 1"> <set> Outside the Arch Street Theater (Ten minutes later) </set>
      <n> <t> Sunny Side to Every Situation </t> <w> The Company </w> </n>
    </s>

    <s ix="Scene 2"> <set> Broad Street Station, Philadelphia (A few minutes later) </set>
      <n> <t> Lullaby of Broadway </t> <w> Julian and Company </w> </n>
    </s>

    <s ix="Scene 3"> <set> 42nd Street Theater (The next day) </set>
      <n> <t> Montage </t> <w> Julian, Andy, Frankie, Peggy, and Dancers </w> </n>
    </s>
    
    <s ix="Scene 4"> <set> Peggy's Dressing Room (<i>Pretty Lady</i> opening night> </set>
      <n> <t> About a Quarter to Nine </t> <w> Dorothy and Peggy </w> </n>
    </s>

    <s ix="Scene 5"> <set> 42nd Street Theater (Later that night) </set>
      <n> <t> Shuffle Off to Buffalo </t> <w> Annie, Bert, Maggie, and Girls </w> </n>
      <n> <t> 42nd Street </t> <w> Peggy and Company </w> </n>
    </s>

    <s ix="Scene 6"> <set> 42nd Street Theater (Immediately after) </set>
      <n> <t> 42nd Street (reprise) </t> <w> Julian </w> </n>
      <n> <t> Finale </t> <w> The Company </w> </n>
    </s>
    <s ix=""> <set /> <n> <t>-- </t> </n> </s>
    <s ix=""> <set /> <n> <t>*Choreographed by Valerie Psoinos </t> </n> </s>

  </act>
</xsynopsis>

<xupcoming>
</xupcoming>

</show>

